At Tate Modern 
Peter Campbell
The Kandinsky exhibition at Tate Modern until 1 October is subtitled ‘The Path to Abstraction’. As he stripped his work down, Kandinsky believed he was removing obstacles on the way to deeper experience. To look for goals beyond those defined by his Fauvish landscapes of the early 1900s was as much an intellectual decision as an aesthetic one. A new sensibility that communicated emotions and spiritual truths through form and colour alone would take the place of narrative content. Theosophy, folk art and folk traditions, children’s paintings and a specifically Russian take on the renewal of society, which had its roots in political as well as religious ideas, would all contribute to it.
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Peter Campbell is the London Review’s resident designer and art critic.
Other articles by this contributor:
Open House · Peter Campbell looks through other people’s windows
At the Hayward and the British Museum · With Goya and Rembrandt
At Tate Britain · Lucian Freud
At the National Gallery · Ingres-flesh
At Tate Modern · Century City
At Tate Modern and Modern Art Oxford · Joseph Beuys and Jannis Kounellis
At the Royal Academy · Caravaggio
At Kew · The ultimate in controlled habitat-imitation
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