London Review of Books

When Michael Dobson wrote about the printing of Shakespeare’s First Folio for the London Review of Books, he described it as a ‘series of headaches’. When we tried to replicate those 17th century methods to celebrate the anniversary of the First Folio with our own Shakespearean print, we discovered how true that was.

In this film, letterpress printer Nick Hand pulls apart the...

In her writing about food for the London Review of Books in the 1980s, Angela Carter found a potent subject for her unique combination of savage wit and political commentary. In the ‘piggery triumphant’ of modern foodism she saw a ‘hysterical new snobbery’ in which a kirsch roulade is photographed according to the conventions of pornography. In the history and origins...

The word ‘culture’ now drags the term ‘wars’ in its wake, but this is too narrow an approach to a concept with a much more capacious history. In the closing LRB Winter Lecture for 2024, Terry Eagleton examines various aspects of that history – culture and power, culture and ethics, culture and critique, culture and ideology – in an attempt to broaden the...

If we want to decolonise the university, we first need to decolonise our imaginations. Many Black and Indigenous artists are wrestling with the legacies of colonialism, enslavement and environmental destruction. How do we reconstruct histories that have been lost or erased? And what futures can we imagine in a time of imminent catastrophe?Hazel V. Carby delivered this lecture as part of the...

In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly...

According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of obscenities, though their precise meanings can sometimes be obscure. As a courtier to...

Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’...