Howl, Howl, Howl! 
Ruth Bernard Yeazell
Fanny Kemble was happiest on stage when she took all the parts. She had been a celebrity at 19, when she made her debut as Juliet at Covent Garden in 1829; but she was a middle-aged woman in flight from a terrible marriage when she began a second career reading Shakespeare’s plays before enthusiastic audiences on both sides of the Atlantic. Dressed in a carefully chosen series of gowns – by Deirdre David’s report, the wardrobe consisted of black or red velvet for the tragedies, white or pastel satin for the comedies, and dark green or blue brocade for the history plays – and with no props other than a large reading desk, some piled-up books and a pair of candelabra, Kemble became as famous for her Falstaffs and Prosperos as for the heroines she played as a young woman.
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Ruth Bernard Yeazell teaches literature at Yale. Her books include Harems of the Mind: Passages of Western Art and Literature and, most recently, Art of the Everyday: Dutch Painting and the Realist Novel.
Other articles by this contributor:
Self-Made Man · Edith Wharton’s Domestic Arrangements
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